This conscientiousness was exactly what had made the project possible in the first place: The shoot, along with exhibitions of the finished photos and a short film in New York and Los Angeles, was funded by ASOS, the British online fashion and beauty superstore, as part of the company’s ASOS Supports Talent program, which sponsors up-and-coming young artists whose work has as an aspect of social justice to it. A Muslim country isn’t necessarily closed off to other religions.” But, she explains, “I don’t only photograph Muslim women. Al-Arashi, who grew up in Washington, D.C., the daughter of a Yemeni diplomat father and an Egyptian mother, is of the faith herself, and has made a name for herself photographing women in the Arab world and its diaspora. Later, Al-Arashi would estimate that only about half of them were Muslim. A group of three friends began to thread each other’s eyebrows and upper lips, bringing each other to knee-slapping tears as they cracked jokes. On a Saturday in April, they filed into the hammam’s waiting area wearing casual clothes and chatting animatedly, checking their iPhones and smoking slim cigarettes between sips of coffee and tea. Would they allow themselves to be captured in such an environment by a boundary-pushing 28-year-old American artist, for a gallery show? In the Western imagination, probably not.īut here’s the thing: Not only did the Arab women whom Al-Arashi photographed in a hammam in Beirut agree to be photographed nude-they also didn’t look like any sort of preconceived stereotype, comprising instead a scene that could have been in Paris or New York. The stereotypical image of Arab women assumes they are devoutly practicing Muslims, wearing hijabs and long skirts and conducting themselves with religious modesty, exposing their bodies exclusively to their husbands, and perhaps to female relatives or friends behind the closed doors of a hammam. To those on the periphery of the culture, the idea of a group of Arab women allowing themselves to be photographed nude, in a hammam, or communal bath, in the Middle East seems unlikely. If you’ve got a celebrity story, video or pictures get in touch with the .uk entertainment team by emailing us calling 020 3615 2145 or by visiting our Submit Stuff page – we’d love to hear from you.Part of the message in photographer Yumna Al-Arashi’s latest project, called “Shedding Skin,” is conveyed simply by the fact that it exists. ![]() ![]() Supersex is now available to stream on Netflix. Other cast members are Enrico Borello (Gabriele), Vincenzo Nemolato (Riccardo Schicchi), Gaia Messerklinger (Moana), Jade Pedri (Sylvie) and Linda Caridi (Tina). Supersex was directed by Matteo Rovere, Francesco Carrozzini and Francesca Mazzoleni, while Jasmine Trinca plays Lucia, a fictional female character who represents a synthesis of most women with whom Rocco had a relationship in his life.Īdriano Giannini plays Tommaso, Rocco’s half-brother, while Saul Nanni plays Rocco as a young man. Two years later he again announced he was set to stop performing in scenes, but noted he no longer wanted to use the word retirement due to the several times he’d done so before. Rocco has retired twice so far in his career (Picture: Andreas Rentz/Getty Images for Netflix)
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